Parallel Universe
When it comes to the parallel universes we visit in speculative fiction, some of my personal favorites are the ones where Rome never fell, the one where Spock has a goatee, and Universe R. I don’t know if anyone’s written about Parallel Universe R, or named it before, but I imagine a lot of you have thought about it. It’s that other place where great artistic works were never lost. It's the land where overlooked, forgotten, or underappreciated poets, playwrights, authors, and artists were encouraged and celebrated and lived on to craft more work. I don’t mean the Egoverse where you’re the top of the charts or have written a chain of bestsellers – this one is for the artists you wish had gotten a better deal. Universe R can’t be completely logical, of course. For instance, if the Library of Alexandria had survived, then we’d probably be further along with a lot of developments and some of the later artists might not ever have been born. When I think about Universe R I don’t worry about it making that kind of sense.
I dropped by my counterpart’s home in Universe R to look around his shelves: The work of Aeschylus, Sophlocles, and Euripides came to us complete in Universe R, rather than just a few plays from each, and the works of Menander and Sappho reached us whole, rather than just a few tantalizing fragments. Jumping ahead a bit, Chaucer finished The Canterbury Tales, though he had to live to 90 to pull it off, and it takes up a huge chunk of a shelf. There’s no confusion over Shakespeare folios and I see one fine copy of his Cardenio and other tantalizing things lost to history. On the music rack, Bach’s work was better preserved so that some of his music wasn’t lost because it was sold as fish wrappers. Mozart lived to a ripe old age, cranking out more and more astonishing and varied works.
On my fiction shelf in Parallel Universe R I can find all the great historical swashbuckling novels Harold Lamb wrote when he almost gave up fiction in the 1930s, just as his prose was at its peak. Near it is a complete run of all of Robert E. Howard’s fiction. He went back to writing fantasy a few times after the 1930s, but he turned also to westerns and teamed up with Hollywood producers to create some western film masterpieces. His DVDs are over there on the other shelf, next to the run of the original Star Trek. Here in Universe R the dogs of Star Trek’s second season never got made and the show didn’t get thrown to the wolves in the third season – thanks to the diligent work of the story editors and producers, the final three years of the show built upon the promise of early episodes. When a sequel series finally came out, Captain Sulu was also a resounding success. (Sure, I dare to discuss Bach and Sophocles and Robert E. Howard and Star Trek and Shakespeare in the same entry.) In Universe R The Beatles realized that they were greater together than the sum of their individual parts, and regrouped every few years to make amazing music, even while experimenting with their side projects.
I could go on, but this post is long enough already. I’ll save one more entry for later: The 27th of this month is the birthday of one of my favorite musicians, the guy who prompted this post because in April I always think about how things should have turned out for him. He was a Beatles contemporary who soared to acclaim in Universe R. I’ll post about him closer to his birthday.
So what works are on your shelf in Universe R?
Howard

Oh, and Ansen Dibell's "Tidestorm Limit" and "The Sun of the Grand Return" got published in English, instead of just French and Dutch...
Edited at 2008-04-22 06:07 pm (UTC)
Orson Welles' original cut of The Magnificent Ambersons and his film of Don Quixote
Freaks and Geeks, Seasons 2-4
Some sequels to Jack of Shadows, darn it!
Robert E. Howard's Conan tales were doubled. REH also punched out more Cormac, Kull, Red Sonja and Solomon Kane. The 10 movies about his characters sit on the shelf above the books.
Also in this universe, I went back to my old Jr. High school and picked up that copy of LOTR: Unfinished Tales that Christopher Tolkien signed for me and left with my old teacher.
They don't exist here, naturally. I was just dreamin'.
Thanks for the laugh.
(Anonymous)
Don't forget that really strange cult film "Harold and Maude Go to White Castle."
In more recent stuff: I'd certainly have all the volumes Kuttner should-have-written about Prince Raynor, Books 6-10 of Zelazny's Amber series (not the ones he actually wrote, though), a Hammett novel where the Continental Op crosses paths with Sam Spade (and, who knows, maybe Nick & Nora Charles). William Hope Hodgson's later work, after he escaped death in WWI, would certainly (have) be(en) worth a read; likewise the postwar novels of Saki. But I think my most prized possession would be a complete run of Unknown, 1939-present. Without it, who knows what would have happened to heroic fantasy in the mid-20th century? Would Pratt have written his sequels to Well of the Unicorn without it? Or would C.S. Lewis have tragically failed to complete Ten Years After? Hard to say.
Music-wise, I'd certainly be listening to the later symphonies of Tchaikovsky, the music Schoenberg would have written if he hadn't become involved in that atonal junk, the albums Billie Holliday cut in old age with her voice more broken and beautiful than ever. Favorites would include the mature work of Bix Beiderbecke and Charlie Parker and Jimi Hendrix and many another artist who laid his life and his talent down as offerings at the brazen feet of some stupid addiction.
I'm pretty sure my DVDs would include the lost film of I, Claudius starring Charles Laughton, the Star Wars movies filmed from Leigh Brackett's scripts, John Boorman's Lord of the Rings movies, Witchblade seasons 1-6 (but not the season 2 that actually happened), more Firefly and Star Trek. I think, in my version of Universe R, Gene Roddenberry left ST to produce Genesis II and Gene Coon came back to produce the final four seasons of Star Trek...
(Anonymous)
Universe R
Armed with new-found fame and fortune, O'Brien and his youthful protege Ray Harryhausen begin work on a series of films based on the work of R.E. Howard. The Conan films, the most elaborate and beautiful fantasy films ever made, bring Howard an unexpected windfall. This wealth grants the Texas author unanticipated freedom and allows him to hire top specialists to care for his ailing mother and, later, his pen-pal H.P. Lovecraft.
Howard introduces Lovecraft to O'Brien, and by 1940 O'Brien and Harryhausen have defied both Hollywood and convention by filming a spectacular version of HPL's CALL OF CTHULHU. The movie is so overwhelming in its lushly bizarre and grotesque imagery that it is quickly banned.
Today, in Universe R, I have the completely restored DVD of this film.
Sobbing uncontrollably,
John Hocking
Re: Universe R
(Anonymous)
Re: Universe R
You monster! You leave me with two options - self-defenestrate or start a Quixotic quest to remake history, armed with only a stop-motion Super 8 camera and a basement full of plasticene.
I have a feeling that the execution will fall somewhat short of what could have been. But a man's gotta do...
(Anonymous)
Re: Universe R
Better a home-made Super-8 plasticine dream of great ambition and sincerity than another tedious Hollywood retread devoid of wonder or vision.
I'll buy the DVD.
John
(Anonymous)
Re: Universe R
Ugh! I keep forgetting to sign my posts! [9 times out of 10, the unsigned ones are me. I can't seem to get a lj account for very strange reasons.]
The funny thing is that when I was in third grade, I made a claymation film using a vaguely sculpted one-footed yellow plasticine elephant named Psi-key who came in and devastated a city full of construction paper buildings (three of them) before the U.S. Army sent one of its die-cast tanks to gun the misunderstood beast down. Psi-key then vanished while writhing in circles on the ground, leaving only the director's masterful "THE END...?"
I think it had a running time of 1 minute. I was only twenty five years ahead of Youtube...
So I've reconsidered. I don't do sequels.
-Daniel
Re: Universe R
Re: Universe R
Schoenberg -- I didn't know he wrote anything OTHER than the atonal crap. I'm sure glad in Universe R someone walked up and said "hey, interesting experiment, but it doesn't work, why don't you do something else..." and he listened.
Can't believe I forgot both Firefly and Hendrix...
Yeah, I'm glad in Universe R that Coon took over on 2-5. Doomsday Machine is still my favorite, though...
I heard some early Schoenberg somewhere last year and I was shocked by how good it was: it didn't hurt at all to listen.
Saki wrote a couple of short novels toward the end of his life, "The Unbearable Bassington" and "When William Came." I can't say they're must-reads; they're very much of their time (inluding some repellant speckles of antiSemitism). But they suggest what we lost when whoever-it-was lit that "damned cigarette."
And I neglected another lost work. At least two histories were drafted by people who worked WITH Hannibal of Carthage. If memory serves, one of them was his campaign physician. You can see evidence of them being used as source material in Plutarch's Lives of the Noble Greeks and Romans when his Noble Romans meet Hannibal. The moment where Hannibal comes upon the body of Marcellus sounds very much like something witnessed in person rather than a vague retelling, and is oddly moving. I'd like to read those lost biographies, very much. But then, in some parallel universe, Hannibal won. I'd like to see that universe, too. I always did root for Hannibal, no matter that it would have completely changed western civilization.
Star Wars movies filmed from Leigh Brackett's scripts
In Universe R, he got so wrapped up in his theories he didn't leave his desk for days, save to fetch a hurried bite of food or relieve himself when the pressure of his bladder outweighed the pressure of algebra in his brain. By that time, his fellow duelist had long since branded him a coward and went home for dinner.
In Universe R, all the early cinema films were faithfully archived and copied before their cannister contents crumbled away (and I can watch all of DW Griffith's "Intolerance").
Also, all the old radio dramas were diligently recorded and preserved for our later enjoyment.
In Universe R, actress Maude Adams didn't burn her diaries and personal letters before she died.
Early film preservation? Great idea. Wish someone had thought of that a lot sooner.
Mine...
Re: Mine...
And I see that your post started an avalanche of other posts on Universe R.
Re: Mine...
Re: Mine...